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The University Research School (EUR) ArTeC promotes and articulates research projects (see some examples) relating to the fields of arts, technologies, digital technology, human mediations and creation. The projects articulate in an original and inventive way the methodologies of research-creation, research-action, research-development, in a perspective of inclusive and shared excellence.

 

Comprehensive list of projects

2019 (19)

  • Research Techniques and Contemporary Theater, Chloé Déchery
  • Rating Agencies as Artistic Techniques, Nancy Murzilli
  • Deep Time and Experimental Cinema, Dominique Willoughby
  • Image Makers, Arno Gisinger
  • Co-ordinations, Asaf Bachrach
  • New Technological Imaginaries, François Sebbah
  • Behavioral Objects, Samuel Bianchini
  • Landscapes-Aftewar(d)s, Patrick Nardin
  • Est-esthique by design,Vanessa Nurock Ethics of Aesthetics
  • Machines For Reading The Digital Arts, Marie Saladin
  • Anarchist Impressions, Catherine De Smet
  • Yif Menga, Julie Peghini
  • Performing the Archive, Charlotte Bouteille
  • Theater in the Caves of the Digital, Sophie Jehel
  • VR-Auditory Space, Christine Webster
  • Creating the Museum Together, Katia Légeret
  • Transforming the Teaching of Art, Clothilde Rouiller
  • The Deligny Attempt, Hervé Joubert Laurencin
  • Is It Possible to Read Together?, Philippe Bootz

2020 (29)

  • A Fanatic’s Deeds: Code, Script, and Performance in the Work of Maurice Lemaître, Mica Gherghescu
  • Coordinations, Asaf Bachrach
  • Behavioral Objects, Emanuele Quinz
  • Material and Spiritual Ecologies: Varanasi/ Delhi/ Paris, Thierry Dufrêne
  • Shared Writing/Shared Space: Arts, Ecologies, Transitions, Makis Soloomos, Cécile Sorin
  • Staging Philosophy with Emilie du Châtelet: Towards a Theater of the Mind, Anne-Lise Rey
  • IN SEARCH OF IMAGES: Inventing Socio-Technological Visual Techniques for Research, from Ethnographical Fieldwork to Publication, from Investigation to Restitution? Anne Bationo-Tillon, Francesca Cozzolino
  • General Evaluation, Nancy Murzilli
  • Common: Research in Working Class Areas, Cooperation, Experimentation, and Co-Creation, Nicolas Le-Strat
  • Making Community and Communities in Front of the Silver Screen, Morgan Corriou
  • HOM Hydrology of the Media, Everardo Reyes, Gwen Le Cor
  • “Photographic Proof”: From Counter-History to Conspiracy Theories, Aurélie Ledoux
  • LA MINGA, Clara Melniczuk
  • Est-esthique by design, Vanessa Nurock
  • Blind Spots of the Ubiquitous digital in the face of Eco-Political Changes, Yves Citton
  • Modern Times in the Twenty-First Century: A Present Uchronia, Patrice Maniglier
  • Little Bot, Joël HUTHWOHL
  • Machines For Reading The Digital Arts: Interface and Mediation, Marie Saladin
  • Displaying a Material and Immaterial Heritage: Mediterranean Embroidery from the Eighteenth to the Twenty-First Century, Bernadette Dufrêne
  • Navigating Memory, Jean-Marie Dallet
  • New Technological Imaginaries, François Sebbah
  • A Short and Tragic Breviary for Human Animals in the Twenty-First Century, Nicolas Fleury
  • Polemik’ART, Orélie Desfriches
  • REAding Together in a Digital World, Odile Farge
  • Image Makers, Arno Ginsinger
  • Deep Time and Experimental Cinema, Dominique Willoughby
  • The Deligny Attempt, Hervé Joubert Laurencin
  • VR Auditory Space, Christine WEBSTER
  • YIF MENGA: A Performance in Dialogues, Julie Peghini

2021 (27)

  • A Fanatic’s Deeds: Code, Script, and Performance in the Work of Maurice Lemaître, Mica Gherghescu
  • Behavioral Object, Behavioral Matter, Samuel Bianchini
  • Designing with and after the Digital: Issues of Permanence in Multi-Support Scholarly Publications, Lucile Haute
  • DH on Site, REAdingTOgether in a Digital World, Clemens Zobel
  • Writing Together on Immaterial Spaces: An Experiment of the Living Lab, Bérengère Voisin
  • Staging Philosophy with Emilie du Châtelet: Towards a Theater of the Mind, Anne-Lise Rey
  • In Search of Images: Inventing Socio-Technological Visual Techniques for Research, from Ethnographical Fieldwork to Publication, from Investigation to Restitution?, Anne Bationo
  • Common: Research in Working Class Areas, Cooperation, Experimentation, and Co-Creation, Pascal Nicolas-Le Strat
  • The Minga, Clara Melniczuk- Dupont
  • The Deligny Attempt, Hervé Joubert Laurencin
  • “Photographic Proof”: From Counter-History to Conspiracy Theories, Aurélie Ledoux
  • Little Bot, Joël HUTHWOHL
  • Machines For Reading The Digital Arts: Interface and Mediation, Jean-Philippe Humblot
  • Deep Time and Experimental Cinema, Dominique Willoughby
  • VR Auditory Space, Christine WEBSTER
  • TypoFilm – The Letter on the Screen, Philippe Michaud
  • Co-Evolution, Co-Création & Improvisation H2M (CECCI-H2M): Promoting a Sustainable Co-Evolution of Behavior with an Emerging Co-Creation of the Cyborg, Chu-Yin Chen
  • Women Authors of Graphic Novels, Marys Renné
  • The General State of the Production System of Live Performance and it Relations with the Territories and Civil Servants, Julie Peghini, Makis Solomos
  • Extending the Domain of the Living, and Open Intelligence, Manuela de Barros
  • Haitian Voodoo’s Performing Arts: Transmission Processes, Grotowsky’s Lineage, and Anthropology, Stéphane Poliakov
  • MARCEL Art Platform (MaP), Jean-Marie Dallet
  • Museum of Modern Art, Sexuality Section, Nicolas Liucci-Goutnikov
  • Stage and Robotics: Interactions and Interrelations, Erica Magris
  • “The Performing Arts as Form(s) of Reparation in the Crucible of Covid-19”, Giuseppe Burighel
  • Errancy Department, Cristina Hoffmann
  • VI-AN: Smart Cities and Digital Arts, Armen Khatchatourov

2022 (23)

  • Inhabiting Xénakis, Makis Solomos, Jean-François Jégo
  • VI-AN: Smart Cities and Digital Arts, Armen Khatchatourov
  • Stage for a New World, Éliane Beaufils
  • Actor Worksites, Sabine Quiriconi
  • In Progress, Chloé Déchery
  • Art and Anarchism, Angela Lampe
  • Genealogy of Edmond Couchot’s Thought in Arts and Technologies of the Image (GPEC-ATI), Rémi Sohier
  • Claiming "Privacy" through Creation, Sophie Jehel
  • 70 years of the Lure Encounters Julie Blanc
  • Women Authors of Graphic Novels: History, Memory, Claims and Representations of Women in the Ninth Art, Marys Hertiman
  • La Minga: Understanding the Pluriverse with the Authochthonous Communities of the Cauca in Colombia, Clara MELNICZUK
  • Co-ordinations, Asaf BACHRACH
  • Common: Research in Working Class Areas, Pascal Nicolas-Le Strat
  • Haitian Voodoo’s Performing Arts: Transmission Processes, Grotowsky’s Lineage, and Anthropology, Stéphane Poliakov
  • LITTLE_BOT: Conversing with a Molière Character, Joël HUTHWOHL
  • Stage and Robotics: Interactions and Interrelations, Erica MAGRIS, Giulia FILACANAPA, Salvatore ANZALONE
  • In Search of Images, Anne Bationo
  • Making Community and Communities in Front of the Silver Screen, Morgan Corriou
  • “Photographic Proof”: From Counter-History to Conspiracy Theories, Aurélie Ledoux
  • Co-Evolution, Co-Création & Improvisation H2M (CECCI-H2M): Promoting a Sustainable Co-Evolution of Behavior with an Emerging Co-Creation of the Cyborg, Chu Yin Chen
  • Extending the Domain of the Living, and Open Intelligence, Manuela de Barros
  • Museum of Modern Art, Sexuality Section, Nicolas Liucci-Goutnikov
  • Émilie du Châtelet: Towards a Theater of the Mind, Anne-Lise Rey

2023 (11)

  • Communicating Vessels: Exhibiting the Surrealist Manifesto, Thierry Dufrêne
  • Pachakuti: A Political Theater of Ontological Conflicts, Aliocha Imhoff
  • Mycelium Garden, Diane SCHUH
  • Invisible Symbiosis, Gwénola Wagon
  • Investigating “Fictional Profiles,” Alexandra Saemmer
  • “Questioning the Symbiosis between the Human and the Technological through Avatars,” Etienne Amato
  • Museum of Modern Art, Sexuality Section, Nicolas Liucci-Goutnikov
  • Stage and Robotics: Interactions and Interrelations, Erica MAGRIS, Giulia FILACANAPA, Salvatore ANZALONE
  • Yif Menga, Julie Peghini
  • Co-Evolution, Co-Création & Improvisation H2M (CECCI-H2M): Promoting a Sustainable Co-Evolution of Behavior with an Emerging Co-Creation of the Cyborg, Chu Yin Chen
  • Making Community and Communities in Front of the Silver Screen, Morgan Corriou

The University Research School (EUR) ArTeC promotes and articulates research projects (see some examples) relating to the fields of arts, technologies, digital technology, human mediations and creation. The projects articulate in an original and inventive way the methodologies of research-creation, research-action, research-development, in a perspective of inclusive and shared excellence.

 

Comprehensive list of projects

2019 (19)

  • Research Techniques and Contemporary Theater, Chloé Déchery
  • Rating Agencies as Artistic Techniques, Nancy Murzilli
  • Deep Time and Experimental Cinema, Dominique Willoughby
  • Image Makers, Arno Gisinger
  • Co-ordinations, Asaf Bachrach
  • New Technological Imaginaries, François Sebbah
  • Behavioral Objects, Samuel Bianchini
  • Landscapes-Aftewar(d)s, Patrick Nardin
  • Est-esthique by design,Vanessa Nurock Ethics of Aesthetics
  • Machines For Reading The Digital Arts, Marie Saladin
  • Anarchist Impressions, Catherine De Smet
  • Yif Menga, Julie Peghini
  • Performing the Archive, Charlotte Bouteille
  • Theater in the Caves of the Digital, Sophie Jehel
  • VR-Auditory Space, Christine Webster
  • Creating the Museum Together, Katia Légeret
  • Transforming the Teaching of Art, Clothilde Rouiller
  • The Deligny Attempt, Hervé Joubert Laurencin
  • Is It Possible to Read Together?, Philippe Bootz

2020 (29)

  • A Fanatic’s Deeds: Code, Script, and Performance in the Work of Maurice Lemaître, Mica Gherghescu
  • Coordinations, Asaf Bachrach
  • Behavioral Objects, Emanuele Quinz
  • Material and Spiritual Ecologies: Varanasi/ Delhi/ Paris, Thierry Dufrêne
  • Shared Writing/Shared Space: Arts, Ecologies, Transitions, Makis Soloomos, Cécile Sorin
  • Staging Philosophy with Emilie du Châtelet: Towards a Theater of the Mind, Anne-Lise Rey
  • IN SEARCH OF IMAGES: Inventing Socio-Technological Visual Techniques for Research, from Ethnographical Fieldwork to Publication, from Investigation to Restitution? Anne Bationo-Tillon, Francesca Cozzolino
  • General Evaluation, Nancy Murzilli
  • Common: Research in Working Class Areas, Cooperation, Experimentation, and Co-Creation, Nicolas Le-Strat
  • Making Community and Communities in Front of the Silver Screen, Morgan Corriou
  • HOM Hydrology of the Media, Everardo Reyes, Gwen Le Cor
  • “Photographic Proof”: From Counter-History to Conspiracy Theories, Aurélie Ledoux
  • LA MINGA, Clara Melniczuk
  • Est-esthique by design, Vanessa Nurock
  • Blind Spots of the Ubiquitous digital in the face of Eco-Political Changes, Yves Citton
  • Modern Times in the Twenty-First Century: A Present Uchronia, Patrice Maniglier
  • Little Bot, Joël HUTHWOHL
  • Machines For Reading The Digital Arts: Interface and Mediation, Marie Saladin
  • Displaying a Material and Immaterial Heritage: Mediterranean Embroidery from the Eighteenth to the Twenty-First Century, Bernadette Dufrêne
  • Navigating Memory, Jean-Marie Dallet
  • New Technological Imaginaries, François Sebbah
  • A Short and Tragic Breviary for Human Animals in the Twenty-First Century, Nicolas Fleury
  • Polemik’ART, Orélie Desfriches
  • REAding Together in a Digital World, Odile Farge
  • Image Makers, Arno Ginsinger
  • Deep Time and Experimental Cinema, Dominique Willoughby
  • The Deligny Attempt, Hervé Joubert Laurencin
  • VR Auditory Space, Christine WEBSTER
  • YIF MENGA: A Performance in Dialogues, Julie Peghini

2021 (27)

  • A Fanatic’s Deeds: Code, Script, and Performance in the Work of Maurice Lemaître, Mica Gherghescu
  • Behavioral Object, Behavioral Matter, Samuel Bianchini
  • Designing with and after the Digital: Issues of Permanence in Multi-Support Scholarly Publications, Lucile Haute
  • DH on Site, REAdingTOgether in a Digital World, Clemens Zobel
  • Writing Together on Immaterial Spaces: An Experiment of the Living Lab, Bérengère Voisin
  • Staging Philosophy with Emilie du Châtelet: Towards a Theater of the Mind, Anne-Lise Rey
  • In Search of Images: Inventing Socio-Technological Visual Techniques for Research, from Ethnographical Fieldwork to Publication, from Investigation to Restitution?, Anne Bationo
  • Common: Research in Working Class Areas, Cooperation, Experimentation, and Co-Creation, Pascal Nicolas-Le Strat
  • The Minga, Clara Melniczuk- Dupont
  • The Deligny Attempt, Hervé Joubert Laurencin
  • “Photographic Proof”: From Counter-History to Conspiracy Theories, Aurélie Ledoux
  • Little Bot, Joël HUTHWOHL
  • Machines For Reading The Digital Arts: Interface and Mediation, Jean-Philippe Humblot
  • Deep Time and Experimental Cinema, Dominique Willoughby
  • VR Auditory Space, Christine WEBSTER
  • TypoFilm – The Letter on the Screen, Philippe Michaud
  • Co-Evolution, Co-Création & Improvisation H2M (CECCI-H2M): Promoting a Sustainable Co-Evolution of Behavior with an Emerging Co-Creation of the Cyborg, Chu-Yin Chen
  • Women Authors of Graphic Novels, Marys Renné
  • The General State of the Production System of Live Performance and it Relations with the Territories and Civil Servants, Julie Peghini, Makis Solomos
  • Extending the Domain of the Living, and Open Intelligence, Manuela de Barros
  • Haitian Voodoo’s Performing Arts: Transmission Processes, Grotowsky’s Lineage, and Anthropology, Stéphane Poliakov
  • MARCEL Art Platform (MaP), Jean-Marie Dallet
  • Museum of Modern Art, Sexuality Section, Nicolas Liucci-Goutnikov
  • Stage and Robotics: Interactions and Interrelations, Erica Magris
  • “The Performing Arts as Form(s) of Reparation in the Crucible of Covid-19”, Giuseppe Burighel
  • Errancy Department, Cristina Hoffmann
  • VI-AN: Smart Cities and Digital Arts, Armen Khatchatourov

2022 (23)

  • Inhabiting Xénakis, Makis Solomos, Jean-François Jégo
  • VI-AN: Smart Cities and Digital Arts, Armen Khatchatourov
  • Stage for a New World, Éliane Beaufils
  • Actor Worksites, Sabine Quiriconi
  • In Progress, Chloé Déchery
  • Art and Anarchism, Angela Lampe
  • Genealogy of Edmond Couchot’s Thought in Arts and Technologies of the Image (GPEC-ATI), Rémi Sohier
  • Claiming "Privacy" through Creation, Sophie Jehel
  • 70 years of the Lure Encounters Julie Blanc
  • Women Authors of Graphic Novels: History, Memory, Claims and Representations of Women in the Ninth Art, Marys Hertiman
  • La Minga: Understanding the Pluriverse with the Authochthonous Communities of the Cauca in Colombia, Clara MELNICZUK
  • Co-ordinations, Asaf BACHRACH
  • Common: Research in Working Class Areas, Pascal Nicolas-Le Strat
  • Haitian Voodoo’s Performing Arts: Transmission Processes, Grotowsky’s Lineage, and Anthropology, Stéphane Poliakov
  • LITTLE_BOT: Conversing with a Molière Character, Joël HUTHWOHL
  • Stage and Robotics: Interactions and Interrelations, Erica MAGRIS, Giulia FILACANAPA, Salvatore ANZALONE
  • In Search of Images, Anne Bationo
  • Making Community and Communities in Front of the Silver Screen, Morgan Corriou
  • “Photographic Proof”: From Counter-History to Conspiracy Theories, Aurélie Ledoux
  • Co-Evolution, Co-Création & Improvisation H2M (CECCI-H2M): Promoting a Sustainable Co-Evolution of Behavior with an Emerging Co-Creation of the Cyborg, Chu Yin Chen
  • Extending the Domain of the Living, and Open Intelligence, Manuela de Barros
  • Museum of Modern Art, Sexuality Section, Nicolas Liucci-Goutnikov
  • Émilie du Châtelet: Towards a Theater of the Mind, Anne-Lise Rey

2023 (11)

  • Communicating Vessels: Exhibiting the Surrealist Manifesto, Thierry Dufrêne
  • Pachakuti: A Political Theater of Ontological Conflicts, Aliocha Imhoff
  • Mycelium Garden, Diane SCHUH
  • Invisible Symbiosis, Gwénola Wagon
  • Investigating “Fictional Profiles,” Alexandra Saemmer
  • “Questioning the Symbiosis between the Human and the Technological through Avatars,” Etienne Amato
  • Museum of Modern Art, Sexuality Section, Nicolas Liucci-Goutnikov
  • Stage and Robotics: Interactions and Interrelations, Erica MAGRIS, Giulia FILACANAPA, Salvatore ANZALONE
  • Yif Menga, Julie Peghini
  • Co-Evolution, Co-Création & Improvisation H2M (CECCI-H2M): Promoting a Sustainable Co-Evolution of Behavior with an Emerging Co-Creation of the Cyborg, Chu Yin Chen
  • Making Community and Communities in Front of the Silver Screen, Morgan Corriou