The ArTeC Master’s degree is a transdisciplinary post-graduate program, at the crossroads of human and social sciences, arts, communication, digital technology and computer science. The hybridisation of creation and research is at the core of this learning process. The innovative approach of this program is based on three main principles:

Transdisciplinarity

The program is supported by 30 Master’s degrees in the two partner universities. To complete the core curriculum of the ArTeC master’s degree, students have access to a wide variety of courses in innovative pedagogical formats, bringing together theory and practice.

Experimentation

During the two years of the Master’s program, students conduct research leading to a personal project of experimentation, which can take various forms (performances, films, creative devices, exhibitions, creative writing, digital creations, etc.) and articulate theoretical exploration and practical application. The master’s degree is founded on a project-based pedagogy that relies on group dynamics and joint reflection.

International

The Master’s program encourages the student’s international mobility through a compulsory semester abroad (semester 3) and several off-campus teaching modules. These opportunities will allow students to develop a comparative approach to different practices.

Comprehensive list of Innovative Educational Modules (IEMs)

2023-2024

• Music and Computer Tools 2, Alain BONARDI
• Anticipation, The Animated Script: Writing for Animated Cinema, Fabien BOULLY
• Women Writers Erased: Making the Women Playwrights of the Old Regime Heard, Charlotte BOUTEILLE and Tiphaine KARSENTI
• TerraForma Corp: Thinking the Earth through a Planetary Fiction, Yves CITTON and Giuseppina MECCHIA
• Performance and Gender Technologies, Raphaëlle DOYON
• Digital Museology, Bernadette DUFRENE and Romain THOMAS
• Collective Practices of Art, Olivier CHEVAL
• Singing in the Pool with Masks, Giulia FILACANAPA and Isabelle MOINDROT
• Contemporary Cinema Questions the World, Céline GAILLEURD and Eugénie ZVONKINE
• Ecology of Critical Practices (A), Aliocha IMHOFF
• Socio-photography Investigates Digital Transition, Sophie JEHEL
• Digital Storytelling as a Mode of Civic Expression, Arnaud LABORDERIE
• Trans-national Workshop of Digital Textualities, LAITANO Maria Inès SZONIECKY Samuel
• Geological Approaches to Sound Recording, Jonathan LARCHER
• The Lupa Construction Site: Dreaming/Writing the Actor and the Character, Chloé LARMET and Christophe TRIAU
• Digital Explorations of the INA Archives: Life, Between Controversies and Challenges in French Audiovisual Landscape, Eleni MOURATIDOU and Céline MORIN
• Archiving Object Stories, Soko PHAY and Patrick NARDIN
• Fanzine, Marie PRESTON
• The New Salon: Literary Meetings, Lionel RUFFEL
• Dreaming the Pluriverse: Multinaturalism, Performativity and Pedagogies of Radical Imagination, Anna SEIDERER, Clara MELNICZUK, Julian DUPONT
• From Archive to Poster : Exploring and Extending the Work of Stanley Kubrick, Grégoire BIENVENU and Marta SEVERO
• 3IA Immersive Improvisation in Interactive Arts, Rémy SOHIER, Sophie DASTE, Jean-François JEGO

2022-2023

• Images-Conflicts: The Animated Script or, writing for animation, Fabien BOULLY
• Costume Factory: Towards an Experimental Dramaturgy, Charlotte BOUTEILLE and Tiphaine KARSENTI
• Ecology of Critical Practices (A), Clara BRETEAU
• Performance and Gender Technologies, Raphaëlle DOYON
• Digital Museology, Bernadette DUFRENE and Rémi LABRUSSE
• Contemporary Cinema Questions the World, Céline GAILLEURD and Eugénie ZVONKINE
• Ancient Evocations: Photography, Sound Design, Cinema, Anne-Violaine HOUCKE
• Conference Cycle: Ecology of Arts and Media, Aliocha IMHOFF
• Socio-photography Investigates Digital Transition, Sophie JEHEL
• Digital Storytelling as a Mode of Civic Expression, Arnaud LABORDERIE
• Trans-national Workshop of Digital Textualities, Inès LAITANO
• Practices of Act and Activist Practices: Thinking and Experimenting with Collective Action, Isabelle LAUNAY and Luar Maria ESCOBAR
• Writing Mutual Aid : Experience and Research in the Fanzine, Pascal NICOLAS-LE STRAT
• Filming the colors of the skin, Giusy PISANO
• Thoughts of Gesture, Martial POIRSON and Keti IRUBETAGOYENA
• “Strindberg Construction Site: Regimes of Presence in The Sonata of the Specters”, Sabine QUIRICONI
• The New Salon: Literary Encounters, Lionel RUFFEL
• Forms of Intervention in the Public Space, Tania RUIZ
• Digital Explorations of the INA Archives: Imaginary Sports in French Audiovisual Landscape, Antonin SEGAULT
• From Archive to Poster: Exploring and Extending the Work of Stanley Kubrick, Marta SEVERO, Grégoire BIENVENU, Jordan DERRIEN
• 3IA Immersive Improvisation in Interactive Arts, Rémy SOHIER, Sophie DASTE, Jean-François JEGO, Chu-Yin CHEN

2021-2022

• Transversal Workshop on Digital Interface and Textuality, Philippe BOOTZ
• Ecology of Arts and Media, TEAMED squad
• The Animated Script: Writing for Animation, Fabien BOULLY
• Molière 17|21 – The Making of a Myth, Charlotte BOUTEILLE, Tiphaine KARSENTI, Guillaume PEUREUX
• Terraforming Hyperstitions: Planetary Speculations for Collapsonaut Attentions, Yves CITTON
• 3IA Immersive Improvisation in Interactive Arts, Sophie DASTE, Jean-François JEGO, Rémy SOHIER, Chu-Yin CHEN
• Translating Objects, Catherine DE SMET
• Workshop: Laboratory of Ethnographic Research, Françoise DECORTIS
• Performance and Gender Technologies, Raphaëlle DOYON
• Workshop: Digital Museology, Bernadette DUFRENE, Rémi LABRUSSE
• Translation, Daniel HENKEL and Vincent BROQUA
• Thoughts of Gesture, Martial POIRSON
• Understanding the Social Uses of Digital Technology through Socio-Photographic Investigation, Sophie JEHEL
• Digital Storytelling as a Mode of Civic Expression, Arnaud LABORDERIE
• A Critical History of Ethnographic Film, Jonathan LARCHER
• Writing Mutual Aid. Experience and Research in the Fanzine, Pascal NICOLAS LE STRAT
• The School in Self-Management, Marie PRESTON
• The New Decameron: An Experimental Laboratory of Interactive Narratives, Sabine QUIRICONI
• The Archive : Between Utopian Futures and the Future Past, Guillaume SIBERTIN-BLANC
• The New Salon : Literary Meetings, Lionel RUFFEL
• Ecology of Critical Practices (B), Tania RUIZ
• Techno-Imaginaries of Europe in the Archives of the INA, Marta SEVERO and Antonin SEGAULT
• Theatrical Surtitling: Technical, Dramaturgical and Aesthetic Issues, Christophe TRIAU
• Contemporary Cinema Questions the World, Eugénie ZVONKINE and Eugénie GAILLEURD

2020-2021

• 3IA Immersive Improvisation in Interactive Arts, Jean-François JEGO, Chu-Yin CHEN, Rémy SOHIER
• Algorithms, Platforms and New Figures of Work: (post-)Operaism Confronted with the Contemporary World, Orazio IRRERA and Carlo VERCELLONE
• Pluralist Approaches to Translation, Vincent BROQUA and Daniel HENKEL
• Trans-national Workshop, Digital Literary Devices, Philippe BOOTZ
• Workshop-Laboratory of Ethnographic Research for Artistic Creation, Françoise DECORTIS
• CITIZEN GAMES II – Printed Territories: Belgica, Claire FAGNART and Philippe NYS
• Understanding the Social Uses of Digital Technology through Socio-Photographic Investigation, Sophie JEHEL
• Sound Creation and Images: Installations and Devices, Guillaume LOIZILLON
• Digital Storytelling as a Mode of Civic Expression, Arnaud LABORDERIE
• Ecology of Arts and Media, TEAMED squad
• Experimental Ethnographies: Texts, Films and Translations, Jonathan LARCHER
• Forms and Varieties of the Conference-Performance or: What the Conference Does to Performance), Chloé DECHERY, Raphaëlle DOYON, Marion BOUDIER
• Poetic Gestures, Danced Gestures: To Engage through the Body, Hélène MARQUIE and Martine CREAC’H
• The Archive: Between Utopian Futures and the Future Past, Guillaume SIBERTIN-BLANC
• Contemporary Cinema Questions the World, Céline GAILLEURD and Eugénie ZVONKINE
• The New Salon: Literary Meetings, Lionel RUFFEL
• The Animated Scenario, Fabien BOULLY
• Alternative Societies in the United States, Sabine QUIRICONI
• Digital Museology, Bernadette DUFRENE and Rémi LABRUSSE
• Performance and Gender Technologies, Raphaëlle DOYON
• Performing the Archive, Charlotte BOUTEILLE and Tiphaine KARSENTI
• Techno-Imaginaries of Bodies in the Archives of the INA, Antonin SEGAULT and Marta SEVERO
• The Sung Voice and its Electronic Treatment, Alain BONARDI
• Filming with the Penelope Delta, Pisano GIUSY
• Contemporary Cinema Questions the World: A New State of Images, Céline GAILLEURD and Eugénie ZVONKINE
• Understanding the Social Uses of Digital Technology: An Investigative Approach, Sophie JEHEL
• Film and Media Studies: Experimenting with International Approaches, Barbara LE MAÎTRE
• Cooperations and Civic Experimentations: Thinking Social Criticism, Pascal NICOLAS LE STRAT
• Data-Doc, Evelyne BROUDOUX
• Urban Representations: Citizen Games, Claire FAGNART
• Performance and Gender Technologies, Raphaëlle DOYON
• Daydreams of the Concept vs the Logic of the Image, Eric LECERF
• The New Salon: Literary Meetings, Lionel RUFFEL
• Contemporary Stage Practices, Sabine QUIRICONI
• The Economy of Images: Animate/Inanimate, Jean-Philippe ANTOINE, Christa BLÜMLINGER
• Intangible Heritage in the Digital Age, Nasreddine BOUHAÏ
• Digital Storyelling as a Mode of Civic Expression, Arnaud LABORDERIE
• Ethnographic Research in the Service of Artistic Creation, Françoise DECORTIS
• Theatrical Surtitling: Technical, Dramaturgical and Aesthetic Issues, Christophe TRIAU
• The History of Cinema through the Prism of Gender, Hélène FLECKINGER
• Ecology of the Arts and the Media, Mathieu SALADIN
• Methodology of Design of Communicating Objects, Guillaume BESACIER
• Avatar: Aesthetics of Communication through Mediation Technologies, Virginie SONET
• Storytelling and Memory in Haiti: Working with Informal Historiography, Françoise SIMASOTCHI
• Animat, Vincent MEYRUEIS
• The Animated Scenario, Fabien BOULLY
• Field Trip: Ciscovery of the Cultural and Artistic Scene of Belgrade, Agnès HENRY
• Digital Humanities: repertory and voicing, Christian BIET
• Augmented Textuality: Digital Literary Devices, Philippe BOOTZ

2019-2020

• A Participation for Choreographic Research in the Humanities, Julie PERRIN
• Digital Museology, Bernadette DUFRENE and Rémi LABRUSSE
• Knowledge Models and Digital Networks: Digital Explorations of the INA Archives, Antonin SEGAULT
• The Sung Voice and its Electronic Processing, Alain BONARDI
• Filming with the Penelope Delta, Pisano Giusy
• Contemporary Cinema Questions the World: A New State of Images, Céline GAILLEURD and Eugénie ZVONKINE
• Understanding the Social Uses of Digital Technology: An Investigative Approach, Sophie JEHEL
• Film and Media Studies: Experimenting with International Approaches, Barbara LE MAÎTRE
• Cooperations and Civic Experimentations: Thinking Social Criticism, Pascal NICOLAS LE STRAT
• Data-Doc, Evelyne BROUDOUX
• Urban Representations: Citizen games, Claire FAGNART
• Performance and Gender Technologies, Raphaëlle DOYON
• Daydreams of the Concept vs the Logic of the Image, Eric LECERF
• The New Salon: Literary Meetings, Lionel RUFFEL
• Contemporary Stage Practices, Sabine QUIRICONI
• The Economy of Images: Animate/Inanimate, Jean-Philippe ANTOINE, Christa BLÜMLINGER
• Intangible Heritage in the Digital Age, Nasreddine BOUHAÏ
• Digital Storytelling as a Mode of Civic Expression, Arnaud LABORDERIE
• Ethnographic Research for Artistic Creation, Françoise DECORTIS
• Theatrical Surtitling: Technical, Dramaturgical and Aesthetic issues, Christophe TRIAU
• The History of Cinema through the Prism of Gender, Hélène FLECKINGER
• Ecology of the Arts and the Media, Matthieu SALADIN
• Methodology of Design of Communicating Objects, Guillaume BESACIER
• Avatar: Aesthetics of Communication through Mediation Technologies, Virginie SONET
• Storytelling and Memory in Haiti: Working with Informal Historiography, Françoise SIMASOTCHI
• Animat, Vincent MEYRUEIS
• The Animated Scenario, Fabien BOULLY
• Field Trip: Discovery of the Cultural and Artistic Scene of Belgrade, Agnès HENRY
• Digital Humanities: Repertory and Voicing, Christian BIET
• Augmented Textuality: Digital Literary Devices, Philippe BOOTZ